#David simon art k. williams series
#David simon art k. williams tv

One of the drug dealers tied to the overdose death of “The Wire” actor Michael K. ‘The Wire’ co-creator calls for release of drug dealer who sold Michael K. NYC dealer who sold heroin that killed ‘The Wire’ actor sentenced to 10 years in prison Woman found dead in pool of blood outside Williamsburg condo high-rise Williams’ overdose death gets 5 years in prison A handpicked selection of stories from BBC Future, Culture, Capital and Travel, delivered to your inbox every Friday.Drug dealer tied to Michael K. Īnd if you liked this story, sign up for the weekly bbc.com features newsletter, called “If You Only Read 6 Things This Week”. If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter. Can you imagine the discussion now? It would have been a hit. “We did it all without social media, there was no Twitter or Instagram. “Oh boy, it would explode if it was on television now,” he believes. Michael K Williams is confident that even in 2018, The Wire, if it premiered now, would stand the scrutiny. Perhaps The Wire really does deserve its accolades. Doesn’t matter if it’s Game of Thrones or Homicide, it needs to feel like the ones telling the story have been there.” I am not saying that the grisly killings are superficial, but you need more, you need an idea to hit you hard. It’s very Scandi for crime stories to centre around social commentary. At the time there were many things in Sweden and Denmark we found were wrong and we wanted to comment on that,” explains Stein. We wanted to tell the stories about the poorest to the richest. “We wanted to tell the story about two countries, Sweden and Denmark. Just as how in 2017 The Handmaid’s Tale became a phenomenon because nothing like it had appeared on television before, particularly for women, Oh believes that audiences are continuing to search for something new.

Oh stars alongside Jodie Corner and Fiona Shaw in an all-female spy versus assassin thriller, adapted for the screen by Fleabag’s Phoebe Waller-Bridge.

#David simon art k. williams series

A second series has already been commissioned. This kind of marketplace makes it difficult to decipher which shows genuinely have the ‘x-factor’ in 2018, agrees Sandra Oh, formerly of Grey’s Anatomy, but now starring in Killing Eve, which premiered – and received rave reviews – at Cannesseries.

#David simon art k. williams tv

The ‘innocence’ of must-see TV is lost in an era where every big new show on the block is hailed as a ground-breaking masterpiece even before it’s aired.” Compared to those shows, series like Breaking Bad and Mad Men look like overhyped rehashes.

However, Rozovas adds, the series benefited from airing during the so-called ‘golden age’ of TV at the turn of the new millennium, “before TV became aware of itself and of its staying power. The Wire broke the mould in another respect too: unlike other mainstream TV hits of the era – The Sopranos, Sex and the City, ER – The Wire’s cast featured a number of black actors in its ensemble cast, and gave career breaks to Williams, along with co-stars Michael B Jordan and Idris Elba. I think that’s why people love it so much.” I have met people in law enforcement, drug dealers and gangsters and they all agree it was so brutally honest and right on point because David and Ed wrote it from experience, not from fiction. It was all about grey lines and I know viewers respected that honesty. He didn’t make it about good guys and bad guys, they were just people doing the best they could. “David took an honest look at that, and then he did something else. It represented what was happening in our community. “It dived so honestly into what was wrong in our society, from the police department to our lawmakers to our school system, and the media. “It was the first show I saw that was created as what I call ‘edutainment’,” says Williams. What gives The Wire longevity, he adds, is that the show’s writers, David Simon and Ed Burns, had worked in Baltimore’s police department, and in the case of Burns, as a school teacher too – so the writing was grounded in reality. I think it’s actually a little sad that it’s still so relevant in 2018,” he says. “I think it has just stayed with people because it’s still relevant now, because of the climate of what’s going on in the United States.